There is an important backstory to the fight for protecting students from sexual violence. It dates back to 1986, when 19-year-old student Jeanne Clery was raped and murdered in her dormitory room at Lehigh University.
The dialogue went far deeper than a mere discussion of the current landscape of the Bronx art scene. It raised questions, and some hackles, about competing community needs, gentrification, constituencies that are too frequently powerless, and big money.
The American Petroleum Institute is disseminating a series of ads that have an Orwellian quality about them.
Adriana Zavala, guest curator, qualified Kahlo’s home as an “extension of her personal cosmology,” saying, “There are still things to learn about Kahlo.”
Neurosurgeon Ben Carson doesn’t see global warming as a concern because, “There’s always going to be either cooling or warming going on.”
Weider is preoccupied with an examination of domestic objects. Her visual terrain is repeatedly populated with diaristic contemplations of ordinary furniture: dressers, chairs, tables, beds.
There are approximately forty fracking infrastructure projects in various stages of approval in New York State.
A. Mychal Johnson, co-founder of South Bronx Unite, has squared off against a formidable foe—the food delivery service FreshDirect.
A new study proposes that air pollution may impact mental health.
“Art was all that I ever wanted to do,” said Ehrenhalt. For a girl born in 1928, it wasn’t going to be smooth sailing.
"The Jump Rope Line" by Marcia G. Yerman is included in the Seal Press anthology Dancing at the Shame Prom.
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