A Portrait of Activism: “How to Survive a Plague”
Individual activism matters. Coalesced into group action—it is mighty.
Individual activism matters. Coalesced into group action—it is mighty.
Ai Weiwei learned early on about politics and art through the experience of his father Ai Qing, a renowned poet who was imprisoned by Chiang Kai-shek.
Would anybody enlist if they knew a court ruling had put forth, “Rape is an occupational hazard of military service.”
In his new film, “The Koch Brothers Exposed,” director Robert Greenwald examines the pervasive influence of David and Charles Koch on the American fabric of life.
Belafonte said, “Artists have power, the largest power in the universe. The artist is a supreme being, and art is to define our humanity, to encourage.”
I believe that the central issue is one of power. These men who abuse little boys clearly enjoy the feeling of absolute power they have over them.
The documentary makes it clear that the people pushing back are up against very heavy hitters. This includes representatives from both political parties, lobbyists for varied interests, as well as the coal industry.
“Women, War & Peace” illustrates the power of women to challenge the male-dominated structure of the peacemaking process, formulating their own version of pushback.
A consistent theme is the ambivalence of being caught between the desire to move forward and a need to stay connected to the past.
At a time when the Environmental Protection Agency is coming under attack for “over-regulation,” the film stands as a testimony to what happens when the public’s health is neither protected nor considered.