“Israel: Ministers of Chaos”
“Ministers of Chaos,” profiling Itamr Ben-Gvir and Bezalel Smotrich,
takes a deep look at the tentacles of racism and ethnonationalism in today’s state of Israel.
Film Reviews
“Ministers of Chaos,” profiling Itamr Ben-Gvir and Bezalel Smotrich,
takes a deep look at the tentacles of racism and ethnonationalism in today’s state of Israel.
Three months later, the film accompanies Liat to Yad Vashem, where she leads her class through an exhibit on the Warsaw Ghetto. She focuses on the separation wall that divided the Jews from the Poles and the Germans. It obviously has a specific meaning for her.
“Water for Life” tells of community leaders from three separate Latin American countries who banded together with other like-minded people to make a difference. Grassroots action creates positive change in the world.
A voiceover comments on Israelis and Palestinians. “We find that we actually have something in common. That willingness to kill people we don’t know.”
The contrast between the utter destruction of decimated buildings with the beach and waves of the Mediterranean Sea is palpable. There is a metaphorical analogy between stark constriction and elusive freedom.
“Man is created in God’s image, and that’s true of all people, whether they’re Jews or Arabs,” states Kibbutz-born 69-year-old Hagit Back.
“The Bibi Files”: Corruption vs. Morality Meets Survival.
Netanyahu evades his interviewers, slams his hand down in rage and antagonism, and for ninety-five percent of the time does not recall events. He refutes inquiries with retorts such as, “You are asking me a delusional question.”
“Children of Peace” raised the question of why it is so much easier for people to dismiss the concept of a joint society grounded in co-equality than to live with ongoing combat and destruction.
Starring two powerful actresses in their 60s and featuring a promotional poster of them sans glamour, the Netflix bio-flick Nyad is bound to be celebrated by women of a certain age.
The documentaries by these two filmmakers have the explicit goal of questioning the legacy histories put into play by the Israeli government and hasbara proponents. Following in the footsteps of the Israeli New Historians, directors Karnit Mandel and Assaf Banitt have endeavored to show the Israeli public the realities of “nation-building.”