Her diaristic approach to personal history such as a failed marriage or the death of a loved one are what Olivieri called, “emotional hurricanes that are fodder for my work.”
Lee’s film yields a “complex and multilayered” account which she hopes will instruct her daughter, and future generations of girls, about the struggle that preceded them.
Recently, the New York Times featured an article about the convergence of big dollars and art fairs. It questioned the reality of a collector—of modest means—finding first-rate works.
“Once you are involved in making art, everything seems secondary.”
One of the top takeaways from the documentary for the general public is the startling information that there are approximately 84,000 chemicals being used commercially in the country.
It is Radycki’s premise that Modersohn-Becker was a “pioneer and groundbreaker,” one of the key early German modernists—the “missing piece in the history of modernist imagery.”
Girl Be Heard (originally known as the Project Girl Performance Collective) is a not-for-profit theater group that is the brainchild of Ashley Marinaccio, Artistic Director, and Jessica Greer Morris, Executive Director. They have melded their talents and backgrounds to create “social justice theater.” The new name reflects a rebranding, as the organization moves beyond its […]
On the day that Zimmermann’s divorce was finalized, her husband—who had been missing for five days—was murdered.
In this exhibit of artists of Guyanese heritage, almost forty works of photography, painting, welded steel, works on paper, and sculpture provided the foundation for expression that covered a continuum from abstraction to political subtext.
As part of the “Reel Pieces” movie series at the 92Y in New York City, Annette Insdorf hosted Jeremy Irons in a screening of Trashed. Irons, the executive producer of the film, also takes on the role of citizen-journalist narrator. Along with director Candida Brady, they explore the issue of global waste—and how each individual […]