The need for an ongoing “dual identity,” as a means of survival for the adult black male, is a theme that repeatedly manifests itself in Adams’s work.
Peter Nightingale, a professor of Physics at the University of Rhode Island, informed me that the while the United States is only 5 percent of the world population, we have already used 25 percent of humanity’s carbon budget.
In a move that may make the “Cola-Wars” look like a picnic, people are coalescing and engaging in a dialogue that questions, “#WhatAboutTomorrow?”
“The work is a commentary on the age I have lived in. I am a documentarian, recording the critical moments of my life and those of society.”
A stark monologue examines why there has been so little outrage about the human rights violations in their country. An actress states, “Belarus is not sexy. Sexy countries have oil and gas.”
Ret. Adm. David Titley said,”The ocean, atmosphere and ice do not caucus, do not vote, and do not care about anyone’s politics.”
Direct about the fact that the party of environmentalist Teddy Roosevelt has become entrenched in refuting the findings of the larger scientific community, Brainard said, “You have to trust 97 percent of scientists.”
Part of the history of the Tibor de Nagy gallery is embedded in the camaraderie that grew within a community of artists, poets, and writers.
Discussing his early years with me, Rodríguez’s narrative was laced with the realities of the challenges he faced as a person of color.
The attack against “Degenerate Art” struck free thought and artistic expression at its core.