Girl Be Heard (originally known as the Project Girl Performance Collective) is a not-for-profit theater group that is the brainchild of Ashley Marinaccio, Artistic Director, and Jessica Greer Morris, Executive Director. They have melded their talents and backgrounds to create “social justice theater.” The new name reflects a rebranding, as the organization moves beyond its […]
At the Women in the World Summit, Hillary Clinton wondered, “Why extremists always focus on women is a mystery to me.”
Shamila Kohestani, recounted her struggles in Afghanistan and her life under Taliban rule. “I want my story to be a source of hope. Please take a moment and think about how valuable your freedom is.”
Repeatedly referenced as a “feminist icon,” Steinem often functions as a blank slate upon which others imprint their own anxieties, appreciation, disapproval or angry resentments.
Yet, regardless of generation, women have a tough row to hoe when it comes to getting traction on the kind of stories they want to write and get published.
Steinem recounted demonstrating outside the Museum with the rallying cry, “MoMA is a female impersonator.”
She sported a bold necklace on her lined neck and rings on her hands—which clearly showed the wear and tear of time and a life lived.
Gloria Steinem has repeatedly stressed the importance of women sharing their personal stories as a way to add their voices to the human record. This was the strength of The Daily Beast’s three-day event.
Prominently featured in Fatal Promises is actress and activist Emma Thompson. In addition to making powerful public service announcements, Thompson is the co-curator (with Elena, a trafficking survivor), of the interactive art installation Journey. The work puts the viewer directly into the experience of a sexually trafficked woman.
I met Amy Ferris at The Women’s Media Center in 2005. We were part of the start-up team for a new venture founded by Gloria Steinem, Jane Fonda, and Robin Morgan.