“Seven Deadly Sins: Wrath — Force of Nature” at Wave Hill in the Bronx brings together twelve artists who have their fingers on the pulse of climate change and extreme weather.
Trump can go around telling people, “I think Megyn behaved very nasty to me,” but it really makes him sound like a crybaby. Not the tough negotiator that he claims he will be with Putin, China, and Iran.
The Baltimore Sun has a long history of editorials calling into question O’Malley’s lack of political will around hard environmental challenges — particularly those that could damage his standing with donors and specific constituencies.
There is an important backstory to the fight for protecting students from sexual violence. It dates back to 1986, when 19-year-old student Jeanne Clery was raped and murdered in her dormitory room at Lehigh University.
The dialogue went far deeper than a mere discussion of the current landscape of the Bronx art scene. It raised questions, and some hackles, about competing community needs, gentrification, constituencies that are too frequently powerless, and big money.
The American Petroleum Institute is disseminating a series of ads that have an Orwellian quality about them.
Adriana Zavala, guest curator, qualified Kahlo’s home as an “extension of her personal cosmology,” saying, “There are still things to learn about Kahlo.”
Weider is preoccupied with an examination of domestic objects. Her visual terrain is repeatedly populated with diaristic contemplations of ordinary furniture: dressers, chairs, tables, beds.
A new study proposes that air pollution may impact mental health.
“Art was all that I ever wanted to do,” said Ehrenhalt. For a girl born in 1928, it wasn’t going to be smooth sailing.