In a move that may make the “Cola-Wars” look like a picnic, people are coalescing and engaging in a dialogue that questions, “#WhatAboutTomorrow?”
“The work is a commentary on the age I have lived in. I am a documentarian, recording the critical moments of my life and those of society.”
A stark monologue examines why there has been so little outrage about the human rights violations in their country. An actress states, “Belarus is not sexy. Sexy countries have oil and gas.”
Direct about the fact that the party of environmentalist Teddy Roosevelt has become entrenched in refuting the findings of the larger scientific community, Brainard said, “You have to trust 97 percent of scientists.”
Part of the history of the Tibor de Nagy gallery is embedded in the camaraderie that grew within a community of artists, poets, and writers.
Discussing his early years with me, Rodríguez’s narrative was laced with the realities of the challenges he faced as a person of color.
The attack against “Degenerate Art” struck free thought and artistic expression at its core.
“The Koch Brothers have funded efforts to mislead the public in the face of a mountain of scientific evidence that climate change is real and human activities are the cause.”
In a series of e-mails, Scott Lentine wrote to me about his quest to bring recognition to the obstacles facing those on the autistic spectrum.
Her diaristic approach to personal history such as a failed marriage or the death of a loved one are what Olivieri called, “emotional hurricanes that are fodder for my work.”