An important new documentary focuses on gender discrimination on screen and behind the scenes.
The Prison-Industrial Complex as an entity is finally beginning to seep into the consciousness of Americans. How and why the United States incarcerates it citizens, the role that race plays, and the approaches pitting punishment and containment against rehabilitation, are becoming more mainstream topics.
In “At War” (“En Guerre”), the French film directed by Stéphane Brizé and starring Vincent Lindon, we watch
a conflict between workers in an auto parts factory in the city of Agen in the southwest of France — and the suits who measure everything by shareholder satisfaction.
Arcan was both appreciated and reviled. She was a finalist for the revered French literary awards, the Prix Médicis and the Prix Fémina. Perhaps the public couldn’t forgive her for living the life that she wrote about.
Reminiscent of two big movies of the late 1960s, “Isadora” and “Women In Love” — both made when the Women’s Movement was gaining traction — the film is a rich tapestry of history, emotion, and visual imagery.
Heidi Beirich, Director of the Intelligence Project at the Southern Poverty Law Center (SPLC), noted that the United States has always been “deeply racist, deeply anti-Semitic.” Beirich observed, “We have a history of all that kind of bigotry. It’s part of our DNA.”
As a candidate, Trump stated he would express the facts “plainly and honestly.” Yet, the nonpartisan fact-checking website Politifact found differently. It showed that Trump’s statements had a 4 percent veracity rate and that 33 percent of his assertions were actually false.
Droz Tragos follows the intimate accounts of women as they grapple with the impact of their pregnancies and how the crisis impacts the trajectory of their lives. The insights revealed are quite different from the political pronouncements of elected officials.
Maya Angelou’s message was universal. It was the directive to believe in your own voice, and to know that you are enough.
Danae Elon’s new documentary, “P.S. Jerusalem,” offers a bird’s-eye view of a society at war externally and internally. It is a three-year visual diary. Danae records her move from Brooklyn, New York back to the city of her childhood, Jerusalem.